“[T]here also anxieties about security in Mexico, and in many parts of Latin America, Central America — we have a very insecure situation, with drugs, with cartels, with police attacking the population rather than defending them. So that’s reflected, obviously, in the writing. That’s why we have a thriving thriller scene in Latin America, because it reflects our anxieties. So in the United States, you don’t necessarily have those anxieties. You don’t necessarily walk around as a second generation person thinking about things like — ‘What if the narcos come into my house and blow my brains out tonight?’ You have other things. So, there’s very different modes of production. I think one of the problems with publishing is wanting everything to be just one story and this specific story and not being able to even think — ‘Would it be interesting if we could tell this other story?’ But going — ‘No. We only want to tell this tale. It has to fit these parameters.’ And if it doesn’t, then it’s something that’s not going to be viable.”
Watch or read our interview with Silvia Moreno-Garcia about her cultural heritage and science fiction / fantasy writing.