Hoping to translate theory into policy and practice, Michelle’s experience revolves around working directly with traditionally underserved individuals and communities of color to bridge the gap between lived experiences and policy that fails to reflect the complexities of society on a universal scale. Through her dedication to public service, where she traveled around the country working in dedicated pursuit of localized projects with focuses on urban development, environmental conservation, disaster relief, and food insecurity in rural areas. Michelle has also spent time in Human Resources at the Department of Defense and has experience in social work at a small non-profit, which subsequently trained her in crisis de-escalation, conflict mediation, and trauma-informed care.
Feng commented that she found inspiration for her illustration through wanting to combine visual elements from traditional village living structures with futuristic elements of a modern city. Feng used a mix of mediums and textures to build a piece with collage-like elements that illustrated a layered approach to world-building: “imbuing realities that are grounded in something familiar, but still continue to live outside of our surface-level understanding of the world, define speculative fiction to me. As a first generation Chinese-American daughter of immigrants, I grew up hearing stories of my mother’s experience traveling to the rural village her mother grew up in, who always emphasized the importance of balancing education, literacy, and imagination as the key to upward mobility.”
The person climbing the wall of books on the left hand side of the image was inspired by her grandfather, a professor of contemplative literature who taught her mother that art is the highest form of expression. Her hope is that those who see the piece can connect to both of its real & imagined worlds while exploring intersections between the built and natural environment.
You can find more of her work on Instagram: @michellef.arts