On the art of message fiction and how to talk about environmentalism through science fiction and fantasy.
“…a lot of people I feel like sort of move into these camps where you could either be true to your art or you can be a commercial sell-out hack, you know, f****r….and this is all you’ve got. And to me it really was more like okay so this is the puzzle box that we’re working with which is like I’ve got my values, there’s the commercial space that I want to be in if I want to transmit my values. Is there some kind of win-win? And you’re looking for that idea that there actually is, if you’re a clever monkey, you can figure out the win-win scenario. And so a lot of my early work was trying to figure out what’s my clever monkey version of like the win-win, where I get to talk about exactly things I want and the publishing houses are like ‘nom nom nom nom.'”